Single Ply vs Double Ply Drumheads: 3 Best Tone Tips

Wondering which drumheads sound better? This guide compares single ply vs double ply drumheads with 3 key tips to get the tone you need.
one ply vs double ply drumheads

Single ply vs double ply drumheads isn’t just a tech spec. It’s what shapes your drum sound more than most players realize.

Single ply heads sound open, bright, and sensitive. Double ply heads are deeper, punchier, and more controlled. The right choice depends on your genre, playing style, and how much attack or sustain you want.

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Quick Answer:

Single ply heads give you brightness, resonance, and feel.
Double ply heads offer durability, control, and punch.

In this guide, you’ll get 3 expert tips to help you choose the perfect ply for your sound.

What Does Ply Mean in Drumheads?

Single Ply vs Double Ply Drumheads differences

When we talk about single ply vs double ply drumheads, we’re really talking about how many layers of film make up the head. It’s a small detail that massively affects how your drums sound and feel.

  • Single ply means one layer of film. Its usually 7 to 10 mil thick (mil = 1/1000 of an inch).
  • Double ply means two stacked layers. Typically two 7 mil or two 10 mil sheets.

The extra layer in a double ply head adds thickness, which changes everything: the tone, the attack, the sustain, and even how much punishment the head can take before wearing out.

Think of it like guitar strings: light gauge vs heavy gauge. One offers speed and sensitivity, the other gives you power and control.

So before we even get to coatings or muffling, this simple layering choice already sets the stage for your kit’s entire vibe.

Want a full breakdown of other drumhead features like coatings, textures, and muffling? Check out our Drumhead 101 guide.

Expert Tone Tips

If you’re wondering whether to go with single ply or double ply drumheads, you’re not alone. It’s one of those choices that affects everything from your tone and feel to how long your heads last.

The good news? You don’t need to overthink it.

These three expert tone tips will help you choose what actually fits your style, your kit, and your genre – so you get the sound you want without wasting time (or money) experimenting blindly.

Let’s break them down:

Tip #1: Choose Your Ply Based on Music Style

The quickest way to choose between single ply vs double ply drumheads is to think about the style of music you play. Different genres demand different tones, and ply has a massive impact on whether your drums cut through or blend in.

Single Ply for Open and Expressive Sounds

Single ply heads (like Remo Ambassador or Evans G1) are known for their bright tone, long sustain, and lively resonance. That’s why they’re a go-to for:

  • Jazz – where sensitivity and dynamic range matter
  • Worship/Acoustic Sets – for soft articulation and clean tone
  • Funk & Soul – where ghost notes and quick rebounds shine
  • Studio Work – single ply heads respond well to mic placement and EQ

In those contexts, a single ply snare or tom can really let your playing breathe. You’ll hear more detail in your strokes and feel more “connected” to the drum.

Double Ply for Power and Control

Double ply heads (like Evans G2 or Remo Emperor) produce a fatter, darker, and more focused tone. They reduce overtones and handle hard hitting like champs.

They’re built for:

  • Rock – for punchy toms and thick snare tones
  • Metal – where low-end and control are everything
  • Punk or Hardcore – drummers who hit hard and need durability
  • Live Gigs – double ply heads hold tuning better under stress

If you’re constantly applying Moongel or rings to tame your drums, you might naturally benefit from double ply heads as they do some of that dampening work for you.

Tip #2: Match the Drumhead to How Hard You Play

Beyond genre, the way you physically play has a huge impact on which drumhead ply is right for you. Your grip, volume, and even practice habits affect how a head feels, and how long it lasts.

Lighter Hitters Need Responsiveness

If you tend to play with finesse or a looser grip, single ply heads will give you the touch and tone you’re looking for. They feel softer under the stick, rebound faster, and translate dynamics more clearly – especially at low volumes.

They’re ideal for:

  • Jazz drummers using lots of ghost notes and brushwork
  • Worship drummers playing dynamically within tight mixes
  • Studio players who want nuance without EQ tricks
  • Beginners who need immediate response while learning

You’ll also get a more expressive feel that encourages musicality and tone shaping with your hands – not just brute force.

Heavy Hitters Need Durability and Control
If you hit hard, gig often, or play high-energy sets, double ply heads are your best friend. That extra layer adds thickness and control, which helps tame overtones and keep the head intact longer.

They work best for:

  • Rock and metal players with aggressive stick work
  • Live drummers who need to hold tuning through entire sets
  • Gigging musicians playing on loud stages with mic bleed
  • Anyone who shreds through heads regularly and needs something tough

Double ply also gives you more “feel resistance” – a thicker surface that fights back just enough to feel solid under harder playing conditions.

So ask yourself: do you want bounce and finesse, or punch and consistency?

Tip #3: Think About Tuning Flexibility and Durability

Your drumhead’s ply doesn’t just affect sound – it changes how the drum responds to tuning and how long the head holds up over time. Whether you’re in the studio, on stage, or just practicing at home, this can make or break your sound.

Single Ply Offers Wider Tuning but Shorter Lifespan

Because they’re thinner and more flexible, single ply heads respond quickly to tuning changes.

You can crank them up high for a jazzy snap or loosen them down for that open, boomy tone – great for styles that need lots of dynamic range.

But there’s a trade-off.

They’re more prone to stretching, denting, and losing tone over time, especially under heavy sticks or rimshots. If you play daily or hit hard, expect to change them more often.

Best for:

  • Studio recording where perfect tone trumps durability
  • Players who regularly tweak tuning to match sessions or songs
  • Those who prefer open, ringy tones and natural overtones

Double Ply Holds Tuning and Takes a Beating
Double ply heads, on the other hand, are built for consistency. They hold their tuning much longer.

Even across long gigs or changes in humidity, double ply drumheads are less affected by rimshots or heavy hitters.

They’re slightly harder to fine-tune (especially at low volumes), but they make up for it with predictability and control.

Ideal for:

  • Gigging drummers who need their kit sounding consistent all night
  • Loud stages and unmic’d setups where sustain can get lost
  • Drummers who want less ring without relying on gels and tape

Bottom line? If you want flexibility and tone shaping, go single ply. If you want low-maintenance, solid tone every night – double up.

Single Ply vs Double Ply Comparison

Now that you’ve seen how ply affects tone, feel, and durability, here’s a quick side-by-side breakdown to make your decision easier.

This chart sums up the key differences so you can spot which ply suits your setup and playing style at a glance:

FeatureSingle PlyDouble Ply
🔈 SoundBright, open, resonantDarker, focused, punchy
👉 FeelResponsive, quick reboundHeavier, more resistant under the stick
🛡️ DurabilityWears out fasterLasts longer under heavy use
🎯 Tuning FlexibilityWide range, very tunableHolds tuning better over time
🔔 OvertonesMore overtones, needs dampeningBuilt-in dampening, less ring
🥁 Best ForJazz, worship, funk, studio workRock, metal, punk, live gigs

Pro Tip: Many drummers mix ply types across their kit. A coated single ply snare with double ply toms and a pre-muffled kick is a super common setup.

Popular Drumheads to Try (Single vs Double Ply)

Still not sure where to start? Here are some battle-tested drumheads used by pros and myself across range of genres. These picks are overall great:

Best Single Ply Drumheads

These are known for articulation, brightness, and dynamic response, which are ideal for lighter players and controlled environments like studios or small stages.

  • Remo Ambassador Coated
    Classic, open sound. Perfect for snares and toms in jazz or funk settings. Great for brushwork and crisp rolls.
  • Evans G1 Clear
    Bright and full-bodied with excellent resonance. Tunable across a wide range. Often used as both batter and resonant head.
  • Aquarian Studio-X
    Slightly dampened single ply with a warm, smooth tone. Built-in control ring makes it ideal for studio use without extra muffling.

Best Double Ply Drumheads

These picks offer control, fat tone, and extra durability. Perfect for louder environments and aggressive styles.

  • Evans G2 Clear
    A go-to for rock and metal. Focused sound with solid low end. Great projection and built-in overtone control.
  • Remo Emperor Coated
    Warm, punchy, and extremely durable. Fantastic for gigging kits. A favorite on toms and snares for powerful backbeats.
  • Aquarian Response 2
    Punchy and thick, with less ring than most double ply heads. Great for high-volume situations and heavier stick players.

I have tested myself many different drumheads in my time and would like to give you an honest feedback on each of them. You can find more in depth details on our buyer guide: Best Drumheads for Every Genre

Should You Choose Single or Double Ply?

At the end of the day, choosing between single ply vs double ply drumheads comes down to two things: the sound you want, and how you play.

  • Single ply gives you bright tone, fast rebound, and wide tuning range. It’s ideal for jazz, funk, worship, or any style where sensitivity matters.
  • Double ply delivers a darker, more focused sound, with extra durability for rock, metal, and hard-hitting gigs.

If you’re recording, playing softly, or want to experiment with tone, start with a good single ply head like the Remo Ambassador.

If you’re gigging, hitting hard, or tired of denting heads every few weeks, go with something like the Evans G2 or Remo Emperor.

Ply isn’t the only factor that shapes your drum sound: coating, thickness, and head type all play a role too. If you want to understand how everything fits together, check out our full breakdown in Drumheads 101: How to Choose the Right Heads.

Mix, match, experiment until you find the combo that feels and sounds like you.

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